ARTH 3560 - History of Photo

Blog for discussion posts + replies for ARTH 3560 History of Photo WWI-present (Spring 2015)

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Sunday, March 29, 2015

Photographers "Minimal Maps" single out the nation's forests, crops, and waterbodies.



http://www.citylab.com/design/2015/03/cornfields-trees-and-water-mapping-the-rest-of-america/388754/?utm_source=SFTwitter
Posted by Kelly Dennis at 4:14 PM
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Blog Archive

  • ▼  2015 (213)
    • ►  April (63)
    • ▼  March (67)
      • Wells Embodying Social Difference
      • Wells 167-204, La Cicciolina
      • Photographers "Minimal Maps" single out the nation...
      • War Photography and Lee Miller
      • Dorothea Lange
      • Discussing Photography Education – Of Mother Natur...
      • The Real and the Digital: Issues & Definitions of ...
      • Lucy Lippard’s Partial Recall & Ken Wilber’s Integ...
      • Food Matters Discussion - Cat Boyce
      • Ansel Adams Music and Art
      • Abbot Response
      • McCausland - Documentary Photography
      • Re-reading Edward Weston - Feminism, Photography a...
      • A Strategy of Appearances - The Australian Bicente...
      • Life Begins - Response by Cristobal Ortega
      • Remembrance - Response by Cristobal Ortega
      • Of Mother Nature and Marlboro Men: An Inquiry into...
      • Response to Deborah Bright
      • The Carnivore's Dilema -Matt
      • Free of Bias? -Matt
      • Ideology of the Family -Matt
      • The most Important picture of all time? -Matt
      • Most iconic sports image-Matt
      • Most Iconic Political Image- Matt
      • Looking into Landscape Photography-Matt
      • Elements of Portrait photography. -Matt The p...
      • Response to Nancy Newhall's The Eloquent Light
      • “Digital Exhibitionism: The Age of Exposure,” Ana ...
      • Photography, Birth and Death
      • Documentary: New Cultures, New Spaces
      • Photography at the Crossroads
      • On Well's Case Study: Landscape as Genre
      • Photography at the Cross-roads
      • Berenice Abbott on Documentary Photography: Self-A...
      • Surveys and Social Facts-Morgan Kirol
      • Photography, Birth, and Death-Morgan Kirol
      • Documentary: New Cultures, New Spaces
      • Ansel Adams: The Eloquent Light
      • Wells: Gender, Fashion, and the Gaze-Morgan Kirol
      • On Post Mortem Photography
      • Extra Credit, KimberlĂ© Crenshaw Response
      • Response to Berenice Abbott
      • Photo as Document vs Photo as Art
      • Post-Mortem Photography
      • Landscape as Genre
      • Illuminations 270- Nancy Newhall- Fallon Wilson
      • Kasia Thomas: Response to "Digital Exhibitionism: ...
      • Wells 257-271 Landscape
      • Kasia Thomas: A Response to Nancy Newhall's "Ansel...
      • Wells 11-17
      • Kasia Thomas -- Blog Response to Our Class about R...
      • Extra Credit Lecture: Kimberle Crenshaw on Interse...
      • Curators, Collectors and Festivals - Wells 301
      • Nick Saccary Wells 89-112 Response
      • Digital Exhibitionism: The Age of Exposure - Cat ...
      • Nancy Newhall - Ansel Adams: The Eloquent Light -...
      • Unmasking Claude Cahun: Self-Portraiture as a Prim...
      • Pollan Response: Big Organic
      • Gladwell Reading
      • Wells, The Commodification of Human Relations
      • Medieval Church vs Modern Museum
      • Illuminations pgs. 333-348 Deborah Bright
      • Illuminations Abbott 203-207- Fallon Wilson
      • Extra Credit options 3/4 + 3/5
      • Thoughts on Wells Case Study: Landscape
      • Response to Nancy Newhall
      • Digital Exhibitionism Response- Fallon Wilson
    • ►  February (61)
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