ARTH 3560 - History of Photo

Blog for discussion posts + replies for ARTH 3560 History of Photo WWI-present (Spring 2015)

Pages

  • Final Presentations
  • Home
  • NEW: Info + Updates!
  • Syllabus / Info / Course Contract
  • Schedule of Reading + Lectures
  • Unplugged Classroom
  • Plagiarism Tutorial + Certificate
  • Sexual Violence + Title IX
  • Photo + Surveillance: DUE
  • Flickr
  • Advertising Due
  • Migrant Mother DUE
  • D. Lange: Photo as Ag Sociologist
  • Gladwell: Picture Problem
  • Steiglitz + Camera Work
  • Early Photo Processes
  • The Dove Effect
  • Surveillance IMAGES + READINGS
  • Full Syllabus PDF download
  • Study Images
  • Extra Credit: Tues 3/10 Food Matters @Benton

Sunday, March 29, 2015

Photographers "Minimal Maps" single out the nation's forests, crops, and waterbodies.



http://www.citylab.com/design/2015/03/cornfields-trees-and-water-mapping-the-rest-of-america/388754/?utm_source=SFTwitter
Posted by Kelly Dennis at 4:14 PM
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest

No comments:

Post a Comment

Newer Post Older Post Home
Subscribe to: Post Comments (Atom)

Popular Posts

  • Gladwell Response by Ransom
                In this article, Gladwell compares two types of photography that relies on the accurate analysis of the photograph in order to ...
  • Photos as a Way to Access Memory
    After reading "Speaking the Unspeakable: Invisibility and Trauma after 9/11" and responding to Anthony's blog post I was moti...
  • Response to The Omnivore's Dilemma - Organic and Hand-Made
    The section of Chapter 8 (All Flesh Is Grass) in The Omnivore’s Dilemma title Industrial Organic is interesting for its exposition of the t...

Search This Blog

Blog Archive

  • ▼  2015 (213)
    • ►  April (63)
    • ▼  March (67)
      • Wells Embodying Social Difference
      • Wells 167-204, La Cicciolina
      • Photographers "Minimal Maps" single out the nation...
      • War Photography and Lee Miller
      • Dorothea Lange
      • Discussing Photography Education – Of Mother Natur...
      • The Real and the Digital: Issues & Definitions of ...
      • Lucy Lippard’s Partial Recall & Ken Wilber’s Integ...
      • Food Matters Discussion - Cat Boyce
      • Ansel Adams Music and Art
      • Abbot Response
      • McCausland - Documentary Photography
      • Re-reading Edward Weston - Feminism, Photography a...
      • A Strategy of Appearances - The Australian Bicente...
      • Life Begins - Response by Cristobal Ortega
      • Remembrance - Response by Cristobal Ortega
      • Of Mother Nature and Marlboro Men: An Inquiry into...
      • Response to Deborah Bright
      • The Carnivore's Dilema -Matt
      • Free of Bias? -Matt
      • Ideology of the Family -Matt
      • The most Important picture of all time? -Matt
      • Most iconic sports image-Matt
      • Most Iconic Political Image- Matt
      • Looking into Landscape Photography-Matt
      • Elements of Portrait photography. -Matt The p...
      • Response to Nancy Newhall's The Eloquent Light
      • “Digital Exhibitionism: The Age of Exposure,” Ana ...
      • Photography, Birth and Death
      • Documentary: New Cultures, New Spaces
      • Photography at the Crossroads
      • On Well's Case Study: Landscape as Genre
      • Photography at the Cross-roads
      • Berenice Abbott on Documentary Photography: Self-A...
      • Surveys and Social Facts-Morgan Kirol
      • Photography, Birth, and Death-Morgan Kirol
      • Documentary: New Cultures, New Spaces
      • Ansel Adams: The Eloquent Light
      • Wells: Gender, Fashion, and the Gaze-Morgan Kirol
      • On Post Mortem Photography
      • Extra Credit, KimberlĂ© Crenshaw Response
      • Response to Berenice Abbott
      • Photo as Document vs Photo as Art
      • Post-Mortem Photography
      • Landscape as Genre
      • Illuminations 270- Nancy Newhall- Fallon Wilson
      • Kasia Thomas: Response to "Digital Exhibitionism: ...
      • Wells 257-271 Landscape
      • Kasia Thomas: A Response to Nancy Newhall's "Ansel...
      • Wells 11-17
      • Kasia Thomas -- Blog Response to Our Class about R...
      • Extra Credit Lecture: Kimberle Crenshaw on Interse...
      • Curators, Collectors and Festivals - Wells 301
      • Nick Saccary Wells 89-112 Response
      • Digital Exhibitionism: The Age of Exposure - Cat ...
      • Nancy Newhall - Ansel Adams: The Eloquent Light -...
      • Unmasking Claude Cahun: Self-Portraiture as a Prim...
      • Pollan Response: Big Organic
      • Gladwell Reading
      • Wells, The Commodification of Human Relations
      • Medieval Church vs Modern Museum
      • Illuminations pgs. 333-348 Deborah Bright
      • Illuminations Abbott 203-207- Fallon Wilson
      • Extra Credit options 3/4 + 3/5
      • Thoughts on Wells Case Study: Landscape
      • Response to Nancy Newhall
      • Digital Exhibitionism Response- Fallon Wilson
    • ►  February (61)
    • ►  January (22)
  • ►  2013 (203)
    • ►  May (18)
    • ►  April (88)
    • ►  March (23)
    • ►  February (69)
    • ►  January (5)
Simple theme. Powered by Blogger.