ARTH 3560 - History of Photo

Blog for discussion posts + replies for ARTH 3560 History of Photo WWI-present (Spring 2015)

Pages

  • Final Presentations
  • Home
  • NEW: Info + Updates!
  • Syllabus / Info / Course Contract
  • Schedule of Reading + Lectures
  • Unplugged Classroom
  • Plagiarism Tutorial + Certificate
  • Sexual Violence + Title IX
  • Photo + Surveillance: DUE
  • Flickr
  • Advertising Due
  • Migrant Mother DUE
  • D. Lange: Photo as Ag Sociologist
  • Gladwell: Picture Problem
  • Steiglitz + Camera Work
  • Early Photo Processes
  • The Dove Effect
  • Surveillance IMAGES + READINGS
  • Full Syllabus PDF download
  • Study Images
  • Extra Credit: Tues 3/10 Food Matters @Benton

Study Images

http://www.slidelibrary.uconn.edu/cf11/ARTH3560/index3560.html
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  • Re-reading Edward Weston - Feminism, Photography and Psychoanalysis - Response by Cristobal Ortega
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  • ▼  2015 (213)
    • ▼  April (63)
      • Omnivore's Dilemma response to "Big Organic"
      • Surveillance Photography
      • Trevor Paglen
      • Reality TV Goes to War: A different Kind of Fear F...
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      • Richard Prince, Questions About Appropriation
      • Campany Response
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      • Kaitrin Acuna - Richard Prince
      • The Neighbors
      • Chicago Artist Faces 15 Years in 2011, While Hartf...
      • Response to Karen Randall
      • Street Photography Tips for the Modern World
      • Svenson's 'The Neighbors' Wins, Over Svenson's Act...
      • Barbie Zelizer
      • Street Photography Tips For the Modern World - Cat...
      • The Other Side - Nan Goldin - Cat Boyce
      • Response to Richard Prince
      • Response to Omnivore's Dilemma Big Organic
      • NYT: Bush Image Stagecraft-Morgan Kirol
      • Richard Prince Article-Morgan Kirol
      • Surveillance
      • Is a camera the same as a gun?
      • Pollan: The Perfect Meal- An Unrealistic Idea
      • Neighborly surveillance as art
      • Photography + Surveillance Response- Fallon Wilson
      • Photos as a Way to Access Memory
      • Passionate Observation and Representation: Nan Goldin
      • Cameras as guns
      • Literature as an Art Form: Lee Miller on WWII
      • Photography and Surveillance
      • Nick Saccary "Are Cameras the New Guns?"
      • Matt - The power of recording
      • Campany reading
      • Surveillance and Photography Response
      • Surveillance and Arrests
      • Are Cameras the New Guns?
      • Kaitrin Acuna - Photography as a Crime
      • Campany Response
      • David Campany -Cat Boyce
      • Campany Responce
      • Response to Surveillance Readings
      • The Misleading Success of "Late Photography" in Co...
      • Campany Response- Fallon Wilson
      • Surveillance Readings Response
      • Response to Campany
      • Response to Surveillance Articles
      • Response to David Campany
      • Response to "Speaking The Unspeakable"
      • "Speaking the Unspeakable" Response
      • Wells Chapter 7
      • Beckman, Karen “Telescopes, Transparency, and Tort...
      • Wells Reading 311-344: Photography in the Age of E...
      • Campany Response-Morgan Kirol
      • Another Extra Credit Option: Teal Lecture TH 4/16
      • David Campany Response
      • Karen Randell Response
      • Richard Prince Response
      • Richard Prince: Inspiration or Copying?
      • Richard Prince Response
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