First
of all, the idea of the family unit and childhood as a human creation
was fascinating. I generally thought of these things as natural, not
human creations but in when discussing this it does make sense.
Robert
Frank appears to be the prominent photographer of Cold War. His iconic
images are high contrast, have organic viewpoints that often imply
motion. It was the general uneasiness of the time reflected in the art.
The tension of the Cold War had infiltrated photography.
The
discussion about Franks’ Bar,gallup, New Mexico, 1955-56 piece was
interesting. The angle created a sense of confrontation. By having the
camera angled lower and looking up, it makes the figure more
intimidating. Having the figure be a Native American wearing a Cowboy
hat was of course the central irony of the piece. Here was a Native
American displaying the icon of what is his natural enemy. This was the
America that was forming. A melting pot of different viewpoints and
struggles. And while the Native American likely was not a fan of the
white men who displaced them from the land, he could not discount the
iconic nature of the cowboy hat. Here was the quintessential American
according to the class; a Native American wearing a cowboy hat. We have
the past and the future represented by one picture that displayed the
confrontational position that these Americans have been put in.
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