I think it is particularly interesting that Wells looks at
the image as an icon last, because it is through this lens that we relate
meanings to it, but it is also the meanings given to it which frame it as an
iconic image. The notion that the images symbolic value carries more weight
than its reality, in the sense that it has become an iconic image is troubling,
because, as Well’s illustrates through multiple contexts, its portrayal of
reality helped anchor it to its actual representation during its use by the
FSA. As Migrant Mother continuously moves
farther away from its creation date, its representation has changed however, to
that of a nostalgic view of the past, an archetypal mother figure, an anchor
for America, etcetera, and thus, as Rabinowitz points out is drained of its reality
and as a result becomes iconic in status. The image is an icon, because in
modern society it has come to symbolize religion, culture, politics, and economics,
and thus its reality in representing the original Migrant Mother is no longer
apparent. While the image still speaks to the same causes, it no longer stands
for simply whatever the FSA was trying to portray with it.
Blog for discussion posts + replies for ARTH 3560 History of Photo WWI-present (Spring 2015)
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