I found this case study to be very
interesting. I had never really looked so far into any specific ad
before reading this however I found myself fascinated with all the
different elements. First off there is the two different meanings
being portrayed in one single ad, the denoted and the connoted. The
denoted being the literal reality and the connoted being the symbolic
aspect. In this ad, as with every ad, we see both represented. Ali
Zafar, who is a pop star, is seemingly placed into this exciting
wilderness scene. He is presumably zipping through the desert with
natives of that area on some kind of vehicle. Zafar however seems
much more interested in his cell phone which he is assumed to be
watching TV on. This is all obvious to us because we see this. What
we don't particularly see is the meaning behind all this. Zafar is in
fact the only person with a face that can be made out. He also seems
to be the only person that does not belong. These have deeper
meanings. Zafar, this wealthy, iconic pop star is able to do what he
wants, where he wants. He can go out into the middle of no where and
still watch TV from his cellular device. In the case study we read
that mobile phones act as a symbol of wealth and we definitely see
that here. The blue lines that sweep and curve through the image
suggest more than just movement. That suggest a security from the
odds. No matter where one goes they are always connected to the
mobile network. This is all very interesting how this much meaning
can be conveyed from one single image – much more meaning that one
originally sees.
Blog for discussion posts + replies for ARTH 3560 History of Photo WWI-present (Spring 2015)
Pages
- Final Presentations
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- Photo + Surveillance: DUE
- Flickr
- Advertising Due
- Migrant Mother DUE
- D. Lange: Photo as Ag Sociologist
- Gladwell: Picture Problem
- Steiglitz + Camera Work
- Early Photo Processes
- The Dove Effect
- Surveillance IMAGES + READINGS
- Full Syllabus PDF download
- Study Images
- Extra Credit: Tues 3/10 Food Matters @Benton
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