The image
was one I recognized, though specifically from where I couldn't say. A black
and white photo of a mother and her hiding children, infant in her lap. I
faintly remember being more interested in the photograph the first time I saw
it, but after having seen this Migrant Mother so many times, I no longer feel
anything special towards it. Now knowing better of it's origins and the story
behind it, I find my disinterest in this image more interesting. Lange herself
stated about the photo that she " did not ask her name or her
history". The way this is worded, it sounds as if Lange didn't care much
about this woman, her children, or their situation; she just wanted a set of photographs,
which documented the depression, which the FSA could publish in their daily
papers. Lange had probably seen so many people in the same or similar situation
that she had become desensitized to it, that seeing people in such a destitute
state was just another opportunity for her to maybe make some money. Perhaps my
lack of interest or care for this image means I'm cold and heartless, or
perhaps the media being flooded with this image and many others like it had a
similar effect on myself as the one had by Lange while documenting the
depression. It would be interesting to see what effect the Migrant Mother has on future generations; if they'll be moved by it or if they'll even give it a second thought.
Blog for discussion posts + replies for ARTH 3560 History of Photo WWI-present (Spring 2015)
Pages
- Final Presentations
- Home
- NEW: Info + Updates!
- Syllabus / Info / Course Contract
- Schedule of Reading + Lectures
- Unplugged Classroom
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- Sexual Violence + Title IX
- Photo + Surveillance: DUE
- Flickr
- Advertising Due
- Migrant Mother DUE
- D. Lange: Photo as Ag Sociologist
- Gladwell: Picture Problem
- Steiglitz + Camera Work
- Early Photo Processes
- The Dove Effect
- Surveillance IMAGES + READINGS
- Full Syllabus PDF download
- Study Images
- Extra Credit: Tues 3/10 Food Matters @Benton
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