While Reading the case study on Migrant Mother, one thing
really stood out to me; Dorothea Lange’s complete disinterest and disregard of
the living condition and identity of the subjects. She purely was just the
photographer, she did not get personally attached or become engaged with these
people, she merely just took their photographs and then went back on the road.
I find this interesting, I’m not sure what side I am on, whether this was
unfortunate of her to loose the chance to know this mother and possibly help
them, or that she was able to take this photograph purely from a documenter’s
stand point with no bias influencing it whatsoever. Her photograph spoke to a
lot of people, it was seen by thousands of eyes, and she was able to bring awareness
to social issues surrounding this image. Than on the other hand, the United
Press did end up searching and finding this woman, Florence Thompson, in her
home, which was in very poor conditions, and seemed like nothing had changed
for her. When they asked about her opinions about the image, she said that she
was proud, but that it had done nothing for her. Dorothea Lange had taken a
documentary picture that brought awareness to the social change as a whole, had
people thinking about it and asking questions and I think that is a huge step. -Emily Walsh
Blog for discussion posts + replies for ARTH 3560 History of Photo WWI-present (Spring 2015)
Pages
- Final Presentations
- Home
- NEW: Info + Updates!
- Syllabus / Info / Course Contract
- Schedule of Reading + Lectures
- Unplugged Classroom
- Plagiarism Tutorial + Certificate
- Sexual Violence + Title IX
- Photo + Surveillance: DUE
- Flickr
- Advertising Due
- Migrant Mother DUE
- D. Lange: Photo as Ag Sociologist
- Gladwell: Picture Problem
- Steiglitz + Camera Work
- Early Photo Processes
- The Dove Effect
- Surveillance IMAGES + READINGS
- Full Syllabus PDF download
- Study Images
- Extra Credit: Tues 3/10 Food Matters @Benton
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