Thus far, we have seen many photographs in which the main
subject is the human body. I found it very interesting that the fascination
with the body can be directly linked to progressing technology, even when
technology is absent from the photograph itself. On page 170 of the reading, Fran
Herbello’s Untitled image depicts a
man’s body as a kind of attire. This photograph is a prime example of the world’s
attention towards technological development. Because developments in genetics
and medicine were occurring during the time this photograph was taken, the representation
of the body as clothing, sewn in with a tag, shows the interest in the
alteration of the human body.
I find it very interesting that there seems to have been a
major shift in appreciation of a radically transformed body in such a short
amount of time. “In the early 1990s, many cultural theorists and writers viewed
the prospect of a technologically altered ‘posthuman’ or cyborg body as
exciting, even liberating. A decade later, as this seems an ever ore plausible
reality, it was increasingly viewed in dystopian, rather than utopian terms.” Today,
using the human body as the subject of a photograph is almost always linked to
a rising social issue- whether it is politically implicated, in promotion of a
product, or linked to a bodily crisis. Fran Herbello’s photograph proves this,
as it elicits a cringe from the viewer rather than an interest or desire to see
more.
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